Chapter 38: The Council Meeting — Part 2
Moira's speech was magnificent and incomprehensible.
"The cultural denudation of communal spaces represents nothing less than aesthetic genocide," she declared, pacing the motel lobby where she'd summoned me for "consultation." "We cannot permit the philistines of fiscal conservatism to eviscerate the beating heart of artistic expression."
I let her finish the full three-minute monologue before responding.
"It's powerful."
"Naturally."
"The council might not understand all of it."
Her expression suggested I'd just questioned the fundamental nature of reality. "Clarification is the responsibility of the audience, not the performer."
"True. But the goal is to change their votes, not to impress them." I chose my next words carefully—Moira Rose didn't respond well to criticism that wasn't wrapped in appreciation. "What if you ended on something more... grounded? Not instead of the theatrical elements, but alongside them."
"Grounded." She said the word like it might contaminate her.
"Community. The word itself. What these spaces mean to the people who use them—not in abstract terms, but in daily reality." I thought about the Jazzagals rehearsal, the genuine effort beneath the discord. "The community center isn't just a building. It's where people learn to do things together. Where they fail and try again. Where they become better because they're surrounded by others who are also trying."
Moira was quiet for a moment. Behind her performance, behind the elaborate defenses she'd constructed against a world that had taken everything from her, I could see her actually considering the suggestion.
"You're proposing I conclude with sincerity," she said finally.
"I'm proposing you end with the truth. The theatrical opening gets their attention. The sincere conclusion gets their vote."
Another pause. Then, almost imperceptibly, she nodded.
"I shall... incorporate your suggestion. The final passage will emphasize communal aspiration without sacrificing artistic integrity."
"That's all I'm asking."
She returned to her speech, and I left her to refine what would probably still be partially incomprehensible but might now land where it needed to.
Johnny's preparation was more straightforward.
"The numbers show a direct correlation between community space utilization and local business revenue," he explained, spreading spreadsheets across the motel office desk. "Every dollar invested in the community center generates approximately two dollars in economic activity within a five-mile radius."
"That's compelling."
"It's dry." He leaned back in his chair. "You were right about needing a story. I called Bob Currie this morning."
"How'd that go?"
"Better than expected. He's not a public speaker, but he's genuine. He told me about customers who only know about his garage because they met him at community center events. People who bring their cars to him specifically because they trust him from library volunteer work." Johnny smiled—the real smile, not the businessman mask. "I've built presentations for boardrooms full of skeptics. This is the same principle: data provides credibility, stories provide connection."
"So you'll combine them."
"Bob speaks first—the personal angle. I follow with the supporting economics. Then Moira..." He paused. "Moira does whatever Moira does."
"She's revising her speech. It might actually land."
Johnny's eyebrows rose. "You convinced Moira Rose to revise something?"
"I suggested she end with sincerity. She's... incorporating the feedback."
"That's more than most people manage." He gathered his spreadsheets. "You've been doing this all week—helping people prepare, connecting speakers, coordinating timing. But you're not speaking yourself."
"It's not my fight to lead."
"Whose fight is it?"
I thought about the question—really thought about it, instead of deflecting with the practiced answers I'd developed.
"Everyone who lives here. Everyone who wants this town to be something other than a place people leave as soon as they can." I met his eyes. "I'm new. Three months isn't long enough to earn the right to stand up and tell people what their community should be. But I can help the people who have earned that right speak more effectively."
Johnny studied me with the analytical attention that had built Rose Video from nothing.
"When I started my company," he said slowly, "I had advisors who wanted to be the face of everything. They measured success by their visibility, their credit, their recognition. They burned out or moved on within a few years."
"What happened to the others?"
"The ones who measured success by results? They built careers. Built legacies." He stood, gathering his materials. "You remind me of them. The ones who understood that making something work matters more than being seen making it work."
He left me alone in the office, surrounded by the detritus of motel management and the weight of compliments I wasn't sure I deserved.
Stevie found me on the motel steps that evening.
"You've been busy." She settled beside me, two beers in hand—the same cheap domestics we'd shared when she'd tested me with the quarry memory. "Moira's been rehearsing in the lobby for an hour. Johnny's been on the phone with half the town. Even Roland seems to know something's happening."
"The vote's tomorrow."
"I know. What I don't know is why you're not speaking." She handed me a beer. "You care about this more than anyone. You've been working toward it for months. And you're going to sit in the back row and watch other people take credit?"
"Credit isn't the point."
"Then what is?"
I opened the beer, took a long sip, and tried to find words for something I'd understood instinctively but never articulated.
"If I lead this—if I'm the face of it, the voice, the person everyone credits for the victory—then it's my victory. Mine. Not the town's." I stared at the parking lot, the flickering sign, the quiet evidence of a place that was slowly becoming somewhere I belonged. "But if they do it themselves, if Moira speaks and Johnny argues and Ronnie delivers the practical knockout... then they know they can do it again. Without me."
Stevie was quiet for a long moment.
"You actually believe that, don't you?"
"Yeah. I do."
"That's..." She shook her head. "That's either really humble or really manipulative. I can't tell which."
"Maybe both."
"Maybe." She finished her beer faster than usual. "I watched you when we did the farmers market. You had plans for that too—good plans, probably. And you threw them away because nobody wanted them."
"I filed them. They might be useful later."
"But you didn't push. You stepped back and let things happen even when you knew they could go better." She set down the empty bottle. "I thought you were giving up. Now I'm starting to think you were just... waiting."
"Waiting for what?"
"For people to be ready to listen." She stood, brushing off her jeans. "Tomorrow, I'll be at the meeting. Not because Johnny asked—because I want to see if this actually works."
"And if it doesn't?"
"Then you tried something that failed. Wouldn't be the first time someone did that in this town." She almost smiled. "But it also wouldn't be the worst thing that happened here."
She left me alone with my beer and the weight of tomorrow's possibilities.
The vote was in eighteen hours. Everything I'd built—the relationships, the trust, the careful positioning—would either pay off or collapse. And all I could do was watch.
Either the town wakes up or it doesn't. He's done what he can.
The night deepened around me. Inside the motel, Moira was probably still rehearsing. Johnny was probably still refining his numbers. Roland was probably still confused about what was happening but willing to go along with it.
Tomorrow, they would speak. Tomorrow, the council would vote. Tomorrow, Schitt's Creek would decide what kind of town it wanted to be.
I finished my beer and went to bed early, knowing I wouldn't sleep.
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